Musical Fun

Jamming is so fun. Today I played for 3 hours with Graham, Joey, Glenn, and singer Yee Xiang. Graham rhythm, Glenn lead, Jonathan bass, Joey drums, YeeXiang singer. We tried Vindicated at first, but it didn't work out well as expected because of the range for Yeexiang. Anyway Daniel's band budged into the room and watched us play for a while - we got some hackles but they softened afterwhile when we really got down to the music.

Then we moved Vindicated two steps down so that we could let Yeexiang reach some of the high notes, but Campus Superstar contestant stepped in and helped us out a little bit. I sang a favourite song of mine - Somewhere only we know, but we didn't continue much of it. I guess Vindicated was the song of the day.

After that it started getting really cool, because we played some blues hillibilly, and walkingbass, and there were really awesome solos from Glenn and Graham. So we were just jumping around and singing/screaming our heads off, thanks to Glenn attempting some of the high notes. Really fantastic, the feel.

Anyway I was being 'sorried' and pitied because I only played oldschool music - I guess I can be a more useful bass player if I had learnt to adjust my ears to the insensitivities of contemporary music. Suddenly music wasn't simply about sensitivity, but all about feelings and emotions.

But suddenly it wasn't - I found out that the sensitivities needed in both contemporary and art music were the same, except only on a different volume scale. There was still a need to maintain how loud the bass was going to be, momentum towards the next phrase, previous harmonies that have to be cleared and evaporated from the environment before one can move on to the next notes - the upbeats that had to be clearly and carefully placed. It is perhaps, more subtle. More difficult to see.

And then there's the issue of code-switching. For me to be able to switch from contemporary and art music would be a skill - a technique to my musical wellbeing - something I can put to good use. But of course, being proficient in everything can mean not being an expert in one.

I still have to develop my piano playing, a never-ending process. And discover new things I can do with the bass, to provide the best sound that the audience would want to hear.

Last but not least, I would like to congratulate the RE team for completing our first phase - composition of piece. We would be working on orchestration, and move to our final phase, that is recording, in the few weeks to come.



Wanted: People who can sing and play an instrument at the same time, can harmonise, loves music from the 1950s - 1990s, all at the same time, in Raffles Institution.